{"id":27050,"date":"2026-03-18T11:23:48","date_gmt":"2026-03-18T18:23:48","guid":{"rendered":"https:\/\/vilni-media.com\/?p=27050"},"modified":"2026-03-18T15:59:57","modified_gmt":"2026-03-18T22:59:57","slug":"spovid-dovzhynoiu-u-zhyttia","status":"publish","type":"post","link":"https:\/\/vilni-media.com\/en\/2026\/03\/18\/spovid-dovzhynoiu-u-zhyttia\/","title":{"rendered":"A Confession as Long as a Lifetime"},"content":{"rendered":"
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What happens when a person steps onto the stage not to perform, but to speak with their own life? When words cease to be a role and instead become memory, experience, and the happiness of years lived? Then one feels the urge to come to people as one would to God\u2014in a \u201cConfession.\u201d Simply, sincerely, without pathos or intrigue, barefoot, as Ivan Bernatsky did.<\/span><\/p>

Eighty years of life and fifty-five years of artistic work came together in a single voice that sounded as though it spoke for several eras at once. The stage itself resembled a living museum of theatre: around it\u2014a collection of costumes, silent witnesses to dozens of roles and years of \u0442\u0432\u043e\u0440\u0447\u0456\u0441\u0442\u044c. And within this richness prevailed the defining quality of the evening\u2014an ease of conversation with the audience: not a performance, but an honest meeting of old acquaintances.<\/span><\/p>

There were no pauses or rules in his words\u2014his speech wept, cried out, and embraced, trembling at the heart, stripped bare and real, as in a confession.<\/span><\/p>

His feet remember theatrical calluses\u2014the quiet price of the stage that audiences almost never see. And so he comes out barefoot\u2014because it is easier to be truthful that way. \u201cAnd also,\u201d he says, \u201con stage, as on one\u2019s own path: you are your own director, your own interlocutor. And no one can conduct this dialogue as honestly as you can yourself.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Perhaps that is why Bernatsky spoke in one breath. And in this conversation with the audience\u2014and even more so with himself\u2014the roads of theatre came alive, beginning in Ukraine and continuing here, in America, where he founded a Ukrainian theatre (operating at the Ukrainian National Home in New York).<\/span><\/p>

The artist says he prepared for this stripped-down monologue-performance his entire life. Behind him are dozens of roles, thousands of stages, and an entire era of theatre. That is why he chose the finest texts\u2014combining them into a deeply emotional theatrical flow.<\/span><\/p>

Thus, the stage welcomed the voices of six great writers: Lesya Ukrainka, Taras Shevchenko, Olha Kobylianska, William Shakespeare, Mykola Voronyi, and Lina Kostenko. The maestro spoke as if time had ceased to exist. In a single breath, he moved from Shevchenko to Shakespeare, from the quiet whisper of Mavka to the stormy voice of Haidamaky. In Shevchenko\u2019s words, the figures of Yarema and Oksana came alive\u2014as the pain and fury of an era when \u201cUkraine weeps.\u201d<\/span><\/p>

There was also the legendary story of love and betrayal, in which the figures of Hryts and Turkynia came to life. In a simple vest, the actor effortlessly shifted from a male to a female intonation, recreating the dialogue of two souls so naturally that it seemed a real couple stood on stage.<\/span><\/p>

Then the stage filled with the poetics of Lesya Ukrainka. Wearing a hat, changing only his voice and gesture, he transformed alternately into Lukash and Mavka from The Forest Song. Without pause, without interruption, as if the very spirit of the forest spoke from the stage.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The climax came with Lina Kostenko and her Marusya Churai. In the disheveled image of a wanderer, words resounded about the road, pilgrimage, and how the histories of nations are written not only in ink\u2014but in blood, by the plow, and along the road to Kyiv. And suddenly\u2014almost like a cry through the centuries: \u201cDo not look back\u2026 Kyiv is gone\u2026 my homeland is drenched in blood\u2026\u201d<\/span><\/p>

In this scene, Marusya became a symbol of fate\u2014as if a crucifixion each person carries in their life. Especially now, in times of bitter war, when you look back\u2014and it feels as though your land is no longer there.<\/span><\/p>

Another powerful note of the evening was the poetry of Mykola Voronyi. In a blue hat and a warm scarf, as if wrapped in a winter night, the actor recited The Silver Dream. Lines echoed about quiet Christmas nights, beloved eyes, and memory lost between years and destinies: \u201cThose Christmas nights\u2026 those loving eyes\u2026 where have you gone, memory\u2026 frozen by an evil fate\u2026\u201d In this \u0437\u0432\u0443\u0447\u0430\u043b\u0430 not only poetry, but a nostalgia familiar to anyone living far from their homeland.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The finale of the evening became a true emotional explosion\u2014with lines from Taras Shevchenko\u2019s To the Dead, the Living, and the Unborn\u2026. The words rang out as a warning across centuries: \u201cThere is no second Dnipro\u2026\u201d, \u201cCome to your senses, be human\u2026\u201d And finally\u2014quietly, yet with special force: \u201cEmbrace one another, my brothers, I beg you, I implore you\u2026\u201d<\/span><\/p>

These words resonated especially sharply for Ukrainians in emigration. In them were felt both the memory of war and the pain of separation from the homeland, and at the same time\u2014the hope that even far from the Dnipro, the Ukrainian voice continues to live. And when Shevchenko\u2019s final words faded in the hall, silence fell for a moment. The same silence with which this March evening at the Ukrainian National Home in New York had begun.<\/span><\/p>

What was it\u2014a performance, a literary evening, or a conversation with the audience? Perhaps something much greater. Because when a person has lived on stage for fifty-five years, theatre is no longer performed\u2014it is lived.<\/span><\/p>

Yes, that evening featured well-known works. But between the lines, another story could be heard\u2014the story of a person who walked the stage barefoot, unafraid of truth. For it was a confession as long as a lifetime.<\/span><\/p>

\"\"<\/p>

Author: <\/b>Tamara Zaiats<\/b><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Tamara Zaiats<\/strong><\/a> is a journalist based in New Jersey and a graduate of the Faculty of Journalism at Ivan Franko National University of Lviv. For over 15 years, she worked at the Ternopil branch of Ukraine\u2019s Public Broadcasting as a journalist, editor, program manager, and news producer. She also served as a correspondent for the Ukrainian diaspora publication Tyzhden ta Lyudy (Chicago), press secretary for the National Olympic Committee in Ternopil, and editor for several online media outlets. A recipient of multiple journalism awards and the author of television programs focused on sports, culture, and social issues, Tamara is a mother of three and an active volunteer who remains devoted to journalism regardless of distance. She is a regular contributor to Vilni Media.<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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read us in<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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What happens when a person steps onto the stage not to perform, but to speak with their own life? When words cease to be a role and instead become memory, experience, and the happiness of years lived?..<\/p>","protected":false},"author":253017329,"featured_media":27055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[1503,1539],"tags":[1540],"class_list":["post-27050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exclusive","category-tamara-zaiats","tag-tamara-zaiats"],"yoast_head":"\n\u0421\u043f\u043e\u0432\u0456\u0434\u044c \u0434\u043e\u0432\u0436\u0438\u043d\u043e\u044e \u0443 \u0436\u0438\u0442\u0442\u044f - 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